The Real Life Super Hero Project

superhero

Even for as far back as I can remember, I have always been fascinated by superheroes, comic books and the world of alter-egos and visual characters. That very fascination has moulded who and what I am today. The mystery surrounding a secret identity just astounds me and if it were at all humanly possible – I wish superheroes actually existed. And I wish I could be one!

Cue fanfare, whilst I don my dark shades, slip into my all-black garb and let the wind blow through my hair!

Now, an avenue exists for like-minded freaks, The Real Life Super Hero Project exists to collate this unique subculture of genuine heroes.

Anonymous and selfless, they choose every day, to make a difference in the world around them. Whether it be feeding the hungry, comforting the sick, or cleaning up their neighborhoods, they save real lives in very real ways. These are not “kooks in costumes,” as they may seem at first glance. They are, simply put, a radical response… to a radical problem.

So who are these modern day heroes? They are our neighbors, our friends, our family members. They are artists, musicians, athletes, and yes, politicians. Their actions serve as reminders that as most giving today has become reactive—digital and removed, temporarily soothing our guilt and feelings of helplessness—we have blinded ourselves to simple principles and practice of compassion and goodwill.

Photographer Peter Tangen has earned the trust of this loose network, to visually document the genuine power of these individuals—and in the process, reveal the soul behind their endeavor.

At first, The Real Life Superhero Project was conceived as an avenue to shine some light on this new breed of activism and altruism, through a photographic installation to benefit the established organizations the superheroes believe in. But as more people were brought into the wholly volunteer project, largely through Tangen’s infectious enthusiasm, the scope and purpose expanded exponentially.

Now, what began as a gallery exhibit, has come to serve as the launching pad of something far greater—a living, breathing community that inspires people to become the positive forces for change we all can be. To become more active, more involved, more committed, and perhaps, a little super in the process.

Check out the website here for more info.

In Conversation With Richard Ramirez – The Nightstalker

Richard Ramírez (born Ricardo Muñoz Ramírez; February 28 or 29, 1960[2]) is an American serial killer, sex offender and burglar awaiting execution on California’s death row at San Quentin State Prison. Prior to his arrest, the media dubbed the unknown serial killer active in Los Angeles, California, the “Night Stalker”; following his arrest, sensationalist reporting of his apparent interest in the occult and Satanism was common.

The Banksy 2010 Top 10

Banksy's Top 10 Across The USA

Banksy’s film ‘Exit Through The Gift Shop’ has blessed us with not only an intriguing film looking into the inner sanctum of the mysterious Banksy world, but a veritable feast of new art as well.

To promote the film, Banksy went into super-overdrive and attacked city walls across North America like there was no tomorrow. The result is an incredible collection of thought-provoking, clever work that only the brilliant Banksy could come up with.

As far as Dogmatic is concerned, here are Banksy’s top 10 masterpieces of 2010…

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The Dead

Jack Burman: The Dead

Canadian photographer Jack Burman has created a hypnotic collection of still-lifes of long-departed but painstakingly preserved people, specimens and skeletons—dehumanized but very human; flawed but very beautiful. Exquisitely captured, Burman’s post-mortem documentation addresses not only death, but the lives that came before.

“The photographs are shocking in their intimacy. With clear respect in their representation, Jack Burman works excruciatingly close to their humanity, and to their death.” Taken from the foreword by Martha Hanna, Director of the Canadian Museum of Contemporary Photography.

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    Julia deVille: Night’s Plutonian Shore

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    You have until August 21 to visit the Sophie Gannon Gallery to witness for yourself the amazing work of taxidermist Julia deVille’s ‘Night’s Plutonian Shore’ exhibition.

    Fans of Edgar Allan Poe will immediately recognize that the title of the show comes from Poe’s famous The Raven where a distraught lover is visited by a talking bird who only offers the same response “Nevermore”.

    Julia deVille is a master at two uniquely differing disciplines, taxidermy and jewelry making.

    Combining her masterful and sometimes controversial talents with her love for Edgar Allan Poe’s The Raven, her new show ‘Night’s Plutonian Shore’ is both beautiful and disturbing at the same time.

    More information on the show is available at the Sophie Gannon website and you can see more of Julia’s wonderful creations at her website.

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    Outré Gallery’s ‘Mid-Century Soiree’ At The Robin Boyd House

    Outré Gallery's 'Mid-Century Soiree' At The Robin  Boyd House

    US artist Shag (Josh Agle) is currently in Australia for Outré Gallery and a three city tour of Melbourne, Sydney and Perth with his all-new show the ‘Inscrutable Mystery Guide’. The exhibition highlights a whole new direction for Shag with darker overtones, more complex compositions and ultimately more surreal subject matter.

    The exhibition draws its name from an exclusive and mysterious book that the artist has produced to accompany the paintings.

    “This work is playful, but I’ve tried to throw a couple spanners into what people might expect from my art. I’ve created 99 small, colorful paintings of tikis, but each tiki bears a symbol.

    “Inscrutable Mystery Guide” is actually the little book that accompanies each small tiki painting. It’s my hope that the books won’t be seen by anyone except the person who owns one of those paintings. I want to bring them into my own little cult and tell them some secrets.

    In addition, I’ve created several large, panoramic canvases which will give further clues as to what the whole thing is all about. In the past year my work has gotten darker and moved into new themes and imagery, but I’m trying to reconcile my old body of work with my new work, and trying not to be as manic depressive and serious as I was in the last year or so”. – Josh Agle aka Shag

    In addition to hosting a series of gala openings across Melbourne, Sydney and Perth, Outré organized a very special Saturday night cocktail party.

    I was very fortunate to be invited to attend and photograph Outré Gallery’s ‘Mid-Century Soiree’ for US artist Shag at the Robin Boyd Foundation’s Walsh Street house. The party was a celebration of astounding Melbourne mid-century architecture and a wonderful opportunity to have drinks with Shag, his fans and the Outré crew.

    It was truly a magical evening even if I usually feel like a fish-out-of-water at any party – let alone one which looked like it featured the entire cast of Mad Men and/or Rosemary’s Baby, but to walk through this breathtaking historical piece of modern architecture was truly amazing and a once in a lifetime experience.

    Shag’s painting ‘Dickie Bird’ features the Robin Boyd house and it was indeed surreal to see the painting standing in all its glory in the very room it depicts.

    Shag said he had only ever seen the famous house in photos and was pleasantly surprised that he managed to capture the essence of the house in his work.

    The Walsh Street, South Yarra house was purchased by the Robin Boyd Foundation and was designed by Boyd for himself and his family in 1958. The home is widely acknowledged as one of Boyd’s best and a true architectural icon of the Twentieth century.

    It was quite remarkable to walk through this home and experience the amazing interior and design first hand. I felt like I had walked onto the canvas of Shag’s painting and was completely immersed in this retro-wonderland. The house remains unchanged from the time it was first designed and occupied by the Boyd family in 1959.

    Truly a magical night and one I am very grateful to have been invited to experience and photograph.

    See more at the Desktop website.

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    The Dogmatic Interview: Genocide Nippon’s Toshihiro Takeuchi

    The Dogmatic Interview: Genocide Nippon's Toshihiro Takeuchi

    The unique underground cyberzine that is Dogmatic produces some of the most varied selection of articles in the fascinating world of rock, art and film. It is a veritable international culture house of the perceptibly profane, and in continuing the tradition of Dogmatic’s diversity your friendly neighbourhood contributor Löst Jimmy is proud to present an interview with Toshihiro Takeuchi of Heavy Metal band Genocide Nippon. Toshihiro shares his thoughts on the band’s influences, his favourite movies, music and talks Bruce Lee.

    Dogmatic: Hi Toshihiro, what would you say are your top 5 favourite songs by other bands?

    Genocide Takeuchi: My songs top 5
    1. Black Sabbath (Black Sabbath)
    2. War Pigs (Black Sabbath)
    3. The Ripper (Judas Priest)
    4. Satori Part 1 (Flower Travellin’ Band)
    5. Ride The Sky (Lucifer’s Friend)

    Dogmatic: What are the biggest influences on Genocide’s music?

    Genocide Takeuchi: We are influenced by these three grand bands – Black Sabbath, Judas Priest and the Flower Travellin’ Band.

    Dogmatic: I know you like movies, what are you real favourites?

    Genocide Takeuchi: My Movie top 5 -
    1. THE EXORCIST (1973)
    2. ENTER THE DRAGON (1973)
    3. HORRORS OF MALFORMED MEN : 江戸川乱歩全集 恐怖奇形 (1969)
    4. FRANKENSTEIN CONQUERS THE WORLD : フランケンシュタイン対地底怪獣 (1965)
    5. THE WICKERMAN (1973)

    Dogmatic: Are there any new movies that you have seen recently and enjoyed?

    Genocide Takeuchi: District 9

    Dogmatic: Talking about movies you are a big big Bruce Lee fan, I am a fan also since the mid-seventies, when did you first see Bruce in a movie?

    Genocide Takeuchi: I became a great fan of Bruce Lee since I watched ENTER THE DRAGON in a theater in 1973.

    Dogmatic: so tell me more about why you are a Bruce Lee fan please?

    Genocide Takeuchi: ENTER THE DRAGON gave me as a child a shock back in those days. And it still continues. Of course I love Bruce Lee’s other work too!

    Dogmatic: Do you enjoy the writings of 江戸川 乱歩 Edogawa Rampo?

    Genocide Takeuchi: Of course, yes, Edogawa Rampo is the novelist who I do admire.

    Dogmatic: And finally, are there any plans for Genocide to record new songs or releases?

    Genocide Takeuchi: Of course, the new work! I will announce it in the near future. Please expect it!

    Dogmatic: Looking forward to the new Genocide recordings to come – keep us up to date please. Thank you very much Toshihiro for taking the time to chat with Dogmatic, I’ve gone and ordered a DVD copy of “Frankenstein Conquers The World” this morning!

    Photographing Melbourne

    I’ve decided to take a break from music photography over the course of the Melbourne winter. Honestly, there haven’t been that many acts touring our shores, none that I have wanted to shoot really. And, I have gotten rather tired of the whole rigamarole of organizing passes and the like. It is all such a tiresome, frustrating, thankless task so I needed a break from it all for at least a few months.

    I have been concentrating on other aspects of my photography in that time as Melbourne, in winter, is always so rewarding to shoot.

    So without further adieu, here are some of my favorite shots over the last few months.

    I hope you like them.


    He Who Walks Amongst Us I


    Abyss Within My Soul


    He Who Walks Amongst Us II


    The view from the Origin Building


    Keep Looking Down The Barrel of A Gun


    Where Do We Go From Here?

    If you would like to view more of my photography, please visit my Flickr stream or the Clandestine Manifesto. If you would like to purchase any shots, please go to Red Bubble.

    Genocide Nippon: The Rites

    Genocide Nippon: The Rites

    Regular readers of this wonderous emporium of the profane and the excitingly devilish blog of distinction, and to steal a phrase from Alan Moore, a spectular cyber-slum, will note that this particular contributor remains a devoted Genocide Nippon fan. They are the greatest of bands who are the true unholy inheritors of the NWOBHM mantle of Metal greatness. I confess, they are my favourite band of all time, and that dear readers is no inconsiderable accolade.

    Anyway on to the business in hand… a most delightful attack of earache!

    This is a single CD disc release by cult metal band Genocide Nippon, hewn from two distinct live slots in time it is entitled The Rites. Released in all its raw edged finery this album has all that you would care to taste from a live bootleg. It has that rough edge, the ear-bleed noise, the sonic hammering, the feedback, the sublime closeness to the eager listener and all the brusque emotions which that embues!

    Free from studio tinkering, soundboard meddling and cosmetic remodelling you get a simple noisy lesson in frank candor recorded from within the audience. In terms of that live metal atmosphere it is 100% Dogmatic Approved!

    There is no finer tribute to this cult Metal band than sampling them alive and in full-on metal mode, blistering and bloody!

    The slice of fried gold you have here provides two eras from the band’s history the first a quality bootleg sample from 2000 and the other a searing tribute in all its sordid frightfulness from the deepest recesses of 1984.

    It is the Year 2000 and all its live guitar-laden delights which offer the best cuts on the album. For a start you have to bow to a band who chooses Goblin’s superlative Profondo Rosso as an overture to their appearance on stage!

    The use of the wonderous Goblin theme stirs one’s heart to tingle and beat that bit faster anticipating the electric wizardy which indeed follows. By the time the doomy instrumental Gibakurei forces its wicked way into your consciousness ’tis already to late to back out. Then, then the double axe laced treat coupled with the most amazing vocals guides the listener toward something akin to audio paradise in the song Doomsday. This is Genocide’ at their most coarsely unleashed best, you sense in this ready, willing ‘bootleg’ that the crowd loves the sounds which is pounding them senseless. And why not?

    For the listener is already spellbound by the whirlwind bestowed upon them from the very outset.

    Next up is the clever A Bullet In The Wrong Heart, with its ingenious switching riffs which literally rips this listener’s head and heart from their anchoring rivets. The dual guitar melodies work wonders on this song and remains a favourite of mine.

    Both the 2000 and the 1984 sets culminate with the ultimate epic Genocide’ masterpiece, the truly great Living Legend with its double axe frenzy flair of extraordinary audio magic. Once you succumb to this song your craving simply demands a repeat play. I urge you to listen to this at night in the dark, headphoned up and let the whole absolute forces of Heavy Metal elation be visited upon you as Genocide’ lets rip with a raw but irreproachable journey back to the halycon 1970/80s and its electric euphoria.

    Just to add a bit of finesse to the whole fabric of the album and its musical setting it is pleasing to see that it is released by Satanic Lust records, a Heavy Metal band ought to be on such a named record label, you wouldn’t have it any other way now would you?

    Footnote: The Rites was originally released in 2001 as a 500 CD limited edition run (Satanic Lust Records KSL-01). Indeed the album is officially sold out and deleted but there ARE copies are still to be had out there if you look around online or via your friendly specialist underground metal music fixer.

    Genocide Nippon: The Rites

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    The Death Of Harvey Pekar

    The Death Of Harvey Pekar

    While the comics world mourns the loss of Harvey Pekar, there is not yet word on the cause of the writer’s death. He suffered from several problems, including prostate cancer, depression, asthma and high blood pressure, a police officer said.

    Pekar, 70, was found dead early Monday at his Cleveland home. His wife, Joyce Brabner, said he went to bed about 4:30 p.m. Sunday in fine spirits.
    Actor Paul Giamatti, who portrayed Pekar in the award-winning movie ‘American Splendor’, said in a statement that Pekar “had a huge brain and an even bigger soul. And he was hilarious. He was a great artist, a true American poet, and there is no one to replace him”.

    A blog posting on the Cleveland Plain Dealer website noted the city’s loss of the writer – and that of LeBron James: “Unlike some basketball player that just left, the loss of Mr. Pekar is a major loss for the city and literature. RIP Harvey.”

    In another piece, the cleveland.com said that “underneath his persona of aggravated, disaffected file clerk, he was an erudite book and jazz critic, and a writer of short stories that many observers compared to Chekhov, despite their comic-book form.”

    Although Pekar was best-known for his ongoing autobiographical series “American Splendor,” several of his last books touched on “people’s histories” of America. One of Pekar’s last books was “Students for a Democratic Life” (2008), which Cliff Froehlich reviewed for the Post-Dispatch:

    For more than three decades, the perpetually dyspeptic Pekar has chronicled the quotidian details of his own working-class life. Lately, however, he’s been looking out the window rather than staring in the mirror, and his most recent books, “Ego and Hubris” and “Macedonia, ” have largely focused on other people and outside events.

    Pekar is listed as contributing an afterward in an upcoming book for young adults, “FDR and The New Deal For Beginners,” and this year also marked his history of Jack Kerouac, Allen Ginsburg and William S. Burroughs in “The Beats.” The FDR book has an on-sale date of July 20.

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