Life On The Road: On Tour With Ace Frehley

Ace Frehley Australian Tour 2010

For just over a year now, I have been taking live music photography. It has been quite an adventure and each and every gig I have shot has come with its own experience and story to tell. And for me, that is where the beauty and true majesty of photography truly lies. Bottom line, its ability to leave you with a story or an experience is what it is all about. And there have been many stories to tell.

Last year I was asked if I would like to be the tour photographer for Ace Frehley’s October fan meet & greet in Melbourne.

“Sure!” I excitedly said.

10 minutes later another email signalled its arrival in my inbox… “Would you be able to do the whole tour?”

I recall just staring at my screen in sheer disbelief for several shell-shocked seconds! I was staring at a chance in a lifetime and I sure as hell was not going to let this go… Opportunities like this only present themselves so often so I agreed to do the whole tour.

A few weeks later, the tour was postponed and I thought my opportunity had disappeared before it could even materialise.

When the tour was rescheduled, I was once again asked to take my seat as the photog and we were all systems go from this point!

I found myself counting down the days and using this time to prepare myself for every-possible-situation that could arise. I put a lot of thought into it and spent time and money on additional gear and peripherals so that I could be ready at all times.

Little did I know the catastrophe that would befall me throughout…

Read on dear readers…

DAY ONE: February 1, Perth, Western Australia

You quickly realize just how big this continent is when it takes over 4.5 hours to land in the city of Perth. Such a long ass flight. On landing, I texted my contact Luisa and told her where I would be waiting. Luisa, or Lui as she prefers to be called, would be the VIP co-ordinator for the tour and pretty much my touring partner for every show. She was flying in from Sydney. Our flights were only several minutes apart so I didn’t have too long to wait.

We then had a designated driver assigned to us who would be driving us to the hotel. We dropped our bags in our respective rooms, met downstairs at the lobby and then headed straight to Fremantle where the Metropolis venue is located. So much for doing any sorta sightseeing. All I got to see of Perth was from the windshield of our van.

Perth Police
Heading to Freo, our driver Pete was pulled over by the police for speeding. He was given a $300 fine but the cops reduced it to $150. Both Lui and I felt so bad for him so we offered to pay $50 each to make it easier for him. I know he was very grateful for that.

We arrived at the venue shortly after. Ace’s band were on-stage rehearsing some songs. There was still hours left before showtime so I set about to acclimatise with the venue and pretty much, just find my feet.

Ace Frehley Soundcheck
Ace arrived at the venue at around about 5.15 and proceeded to soundcheck with his band, going over the song ‘Talk To Me’ as they were teaching it to the new guitarist Todd. I watched them rehearse from the balcony section. It was quite a thrill seeing Ace on that stage. Unbeknownst to my colleagues on the tour, I have followed the man’s career since I was a mere 10 years old. But, I wasn’t to be star-struck in the slightest, there was much work to be done ahead.

Lui and I had to prepare for the VIP fans’ Meet & Greet with Ace Frehley at 5.30. Basically, 44 fans who each paid $450 to get to meet Ace, have two items signed and a photo by yours truly of them with their hero.

Ace showed up for the meet & greet a little later than expected (!) and generally, wasn’t in the best of moods. I felt this created a bit of a bad vibe as the promoter’s personnel tried to calm things down and appease the man to no avail. I think this made many of the fans a little on edge but once the meet & greet kicked into full-gear, things had settled down and everything was running as smooth as silk.

Thirty minutes later, 44 fans attended to, and about 500 photos later – the first meet & greet was over. I thanked Ace for his time and shook his hand. He seemed to be in a good mood now and was escorted away by his entourage.

An hour or so later it was about 7pm in Perth, 10pm in Melbourne. I needed to grab some dinner so Luisa and I headed down the streets of Fremantle for some sustenance.

Ace didn’t hit the stage till after 10 and indeed he and the band put in a great, great show. Albeit, one of the LOUDEST club gigs I’ve ever attended. One of the venue staff told me, he had been doing gigs for 14 years at this venue, no one ever came close to this volume. It was insane!

Ace Frehley Live In Perth

Show 1 was now over but I didn’t get back to my hotel room till 1.30am (Perth time) which is 4.30am Melbourne time. Phew!

Dumped the photos onto my Mac and then got some sleep before the flight back home for a couple of days…

DAY TWO & THREE: February 2 & 3, Travel Day and Day Off

Ugh! 4.5 hour flight back home for the next couple of days. Was great to be home and a chance to rest up a bit for the next dates…

DAY FOUR: February 4, Adelaide, South Australia

When it rains, it freaking fucking pours! Everything that could go wrong… DID! I felt like crawling into the fetal position and staying there forever by the end of the day. I was in pretty good spirits early but then I was at the mercy of cruel technology fuckups that left me rattled.

At the hotel, after marvelling at the really nice suite I was staying in, I proceeded to set up my Macbook when I was getting a ’service battery’ notification. A week after my warranty expires, my battery dies in this unibody Mac? Come on, you gotta be kidding me. Thinking I would hardly get to use the Mac, as was the case in Perth, I left my power-lead at home but had a fully charged Mac. Or so I thought. Battery was at zero when last night before I switched it off, it was fully charged. A fully charged unibody Mac gives you at least 6 hours use.

So there I was, no power. I found a Mac store just around the corner from my hotel and bought a power adaptor. Back in business.

I had a couple of hours to kill so I went for a walk through Rundle Mall checking out all the sights.

Our driver picked us up in the afternoon and we got to the venue to set up for the Adelaide Meet & Greet. The room they had sanctioned for this role, was dark and dimly lit. This was going to be a tough shoot but I was going to use my Flash light to combat this. Of course, my Flash refused to work. Never, ever, ever had any problems with it before. I could not get it to fire.

Ok. Let’s get as much light as possible happening here and I’ll do the rest with my camera settings. Did some practice shots. All was ok.

In comes Ace. After a little bit of small talk, we are ready to roll.

One person at a time comes in to get their stuff signed and a photo with Ace.

Bang! Camera freezes. I get an error message on my screen. ‘Err01′ lens communication error. Huh? What the? Quickly reseting the camera gets me back in action but the error message was plaguing me. Never had this problem before and I did not bring my back-up camera with me. Foolish. The shoot was excruciating for me. I had broken out into a sickly cold sweat. When everyone was congratulating themselves at the end of the session, I felt like I was gonna pass out. I don’t know how I managed it, but I got everyone photographed.

Thankfully, Ace was in better spirits today, unlike Perth so that made things a little easier for everyone.

Back at my hotel room, I decided I would get to the venue just before Ace hit the stage. Got myself some dinner and then went through all the days Meet & Greet photos. The photos were taken between 5 and 6pm. I had them online and ready for the fans to download by 9pm! How’s that for service?

I had left instructions to be picked up from the hotel at 9.30pm. But there was no sign of my driver.

Foolishly I was under the impression that Ace would be hitting the stage at 10.30. Wrong! He was on at 9.30.

I finally got to the venue and the band was already half-way through their set.

I went into the photo-pit to take some shots. Camera started playing up again. This was beginning to get so painfully frustrating and the absolute last thing I needed to be happening to me. I struggled to get any sort of shot and then I noticed Ace looking down at me waving his finger for me to stop taking photos. Fuck! I didn’t want to be pissing him off. I got the hell out of the pit as soon as he signalled.

Ace Frehley Live In Adelaide

There was some levity tho after the show. Ace’s bassist came over to me and had a laugh. “Ha! Ha! You got told off!” I said to him, “Dude, please apologize to Ace for me. I didn’t mean to piss him off. I shouldn’t have come into the pit well after the first three songs!” He told me not to worry and wanted to pass on his email address to me so I could send through some shots.

With Macbook battery dying, lens playing up, Ace giving me the no-no … what more could possibly go wrong?

I hit the sack. Distraught. Depressed. And totally down.

But worst was yet to come… much, much worse…

DAY FIVE: February 5, Melbourne, Victoria

I was glad to be heading home. This would give me some time to get my camera gear somewhat sorted. Throughout the course of the flight, I sat there silently planning in my head, how I would attack the day ahead. There was going to be a ton to do in a very, very limited timeframe.

We travelled with the band today and I passed on my email details to the guys and some URL’s for them to check out the shots.

As soon as we landed in Melbourne, I was on the Skybus heading to the city and then another bus ride home. I had 2 hours to get my other camera and 50mm lens for the meet & greet at 5pm. I got home. Grabbed my 50mm. Hugged the cat. Grabbed my spare camera. Had a quick shower. Tested the 50mm on the 5d. Worked perfect. Nothing wrong with the camera – but my 24-105mm looks like it is cactus. Hugged the cat one more time and sped off in my car to the Palace. Literally breakneck speed and trying hard to concentrate to make sure I had everything under control. The stress levels were astronomical, but I work my best when under pressure so it was all like some sort of organised, synchronised chaos!

Today’s Meet & Greet was probably the best of the tour. It all went as smooth as silk and I felt that I got the best photos so far. The fans were super cool, genuinely excited and created a fun, cool vibe for Ace. I think he dug it too.

Ace Frehley Melbourne

Once the session was over, I had a few hours to kill before the gig. I organised a couple of show passes for two of my friends and then I went to see if I could get someone to look at my troublesome lens. Maybe it just needed a clean and I would be good to go with it for tonight’s show. Wishful thinking, but I had nothing to lose.

My worst suspicions were confirmed. The lens was shot and would need to go into Canon for repair. Exactly 1 year and 1 week old. Do they actually design and engineer these things to go kaput after the warranty? The serviceman told me as it was an L series lens and only just out of warranty, he didn’t believe that Canon would charge me.

On the spur of the moment, I decided to buy a 70-200mm lens. I’ve had my eye on it for a while but even though I wasn’t in a position to afford the freaking thing – I bought it. I’m sure I’ll be regretting this later but the deed was done… and I bought a new lens.

I grabbed a quick bite and headed back to the venue.

Seeing as Melbourne is my home town, I wanted to shoot Ace right here at the Palace. One of my fave venues for sure!

The place was absolutely packed but thankfully my Access All Areas pass got me in through doors I never knew existed. :) Feels so good to flash a pass and be treated like a king!

Once in the venue, one of my guests couldn’t get in to the venue. I rushed back through the backstage area, got to the front of the venue and finally got him through the doors. I was then on the phone with the tour manager who arranged for my other guest not to have such a problem.

Back inside, I was getting ready to shoot the gig when I was informed that I would be needed outside in the alley to shoot a fan with Ace. Due to a lack of communication, he missed out on his photo op so we arranged for Ace to meet him in the alley. Totally cool of Ace and the promoter and my colleague Luisa, to arrange this.

Showtime was about to hit.

I proceeded to shoot the first song when all of a sudden my camera was telling me that my card was full. Huh? I only took about 40 shots. How could it be full? It usually fits something closer to 1,000!

Ace Frehley Melbourne

I panicked. I reached in my bag and pulled out my other card. The card I had shot the afternoon’s Meet & Greet with. I put the card in, scrolled through the shots… THERE WERE NO MEET & GREET PHOTOS THERE. GONE! VANISHED! Over 50 people has paid close to $500 to have their shot taken with Ace… and for some reason or another – my camera seemed to have formatted the card.

I came close to being ill. In a panic, I packed my gear and headed out of the venue missing what was a classic gig in the process.

I quickly drove home in a panic. How could I have let this happen to me? How could I have let down the promoters and the fans like this? To say I was devastated is a severe understatement. I woke up my girlfriend in a rage of pain and tears.

I was hard to console at this point. I was ready, then and there to never shoot another photo again.

I had blown it.

DAY SIX: February 6, Melbourne, Victoria

With a welcome day off, my girlfriend and I rushed to an electronics store to buy a card-reader. With a card reader, I could run some data recovery software and see if I could get the missing photos back. Surely this would work!

Back home, we loaded the two cards into the reader… ran the scan – it found everything, BUT the photos that I had lost.

More tears.

Composing myself, it was time to let the promoter know what had happened.

I was preparing myself for the worst. I shut the door in my study, sat down on the floor and dialled.

“I’ve lost all the Melbourne Meet & Greet photos…”

I was ready to be given the ass then and there but he was cool to me and told me to not let it get me down and that basically, the fans would be refunded the photo portion of their ticket and that the show must go on.

I humbly apologised a million times over but deep down inside, I knew I had let down so many people.

Sitting back at my desk I looked at the card that was reporting ‘Card Full’. It was a 1gb card. OF COURSE IT WAS FULL! I used the wrong card. I had 3 cards with me on tour… NOT 2. I had the 16gb card and the 8gb card! The 8gb card was what I used for the Meet & Greet(!!!!!)

I scurried to my camera bag. There she was! The 8gb card. I loaded it into the camera… BANG(!) and there they all were. All the Melbourne photos. All of ‘em. None of them lost. Not a single one.

More tears!

I quickly called the promoter again… STOP THE PRESSES! WE’RE BACK IN BUSINESS! I had all the shots! I got ‘em!

Relief! Overwhelming euphoric relief! I had been so frazzled by the death of my lens that I just wasn’t thinking straight.

The rest of this day off was just spent on an amazing high. I set about to relax (if I am capable of such a thing) and enjoy the day.

Tomorrow… Sydney!

DAY SEVEN: February 7, Sydney, New South Wales

With the shitstorm I had endured over the past two days, I was determined to enjoy the remaining two days of the tour. I think there was no possible way any human being would suffer any more misfortune.

I paid my dues. Paid them hard.

The next two days were to be fun, smooth and a success for all.

My girlfriend was to fly up to Sydney with me too today. She booked a flight yesterday and it was great to have her along for moral support and the like. I flew on the same plane as Ace this morning. Cruisy flight and we got to Sydney a little after 12. Whilst Ace was quickly escorted off the plane and securely taken to his car, myself and the tour manager jumped in our van and headed to our hotel.

A quick hello to some of the boys from the band in the lobby, I then settled in for an hour or so before having to head down to the Enmore for the Sydney Meet & Greet. Hung around for a couple of hours as we got everything ready. It was another successful session with the fans getting to spend some time with Ace and getting their stuff signed. It was a nice room to shoot in and for the most part, I felt I got at least one good shot of everyone with their hero.

I’ve been shooting multiple shots of each person as they sit with Ace and so far, they’ve all turned out to be cool.

Ace Frehley Melbourne

I decided not to go to tonight’s show so after my Meet & Greet duties, I caught up with Sam and we had a nice, quiet dinner in Enmore. (One of my fave parts of Sydney! Possibly ‘cos it reminds me of Melbourne so much!)

After dinner, we decided to have a mellow night back in our hotel room.

I went through today’s shots, did some minor editing and then uploaded them to the promoter’s server. My work for the day was done.

Tomorrow Sam heads back to Melbourne and I will be doing the last night of the tour.

Very much looking forward to heading back home on Tuesday and taking it all in!

Tomorrow, Brisbane… the final leg of the tour…

The Horrors Live @ The Corner Hotel, Melbourne, Australia

The Horrors Live @ The Corner Hotel, Melbourne, Australia

I feel like a dog chasing its very own tail at times. The chase for a photo-pass to the Horrors’ Corner Hotel gig came down to the wire – and very well never materialized!

On the actual day of the gig, I thought I wasn’t going to be able to shoot these guys as no official confirmation had been forthcoming so it was an anxious day as I waited for my Inbox to sound that old familiar chime – and for confirmation to arrive.

Arrive it did. The obligatory “3 songs, no flash” edict was there as was an escorted exit out of the venue upon completion of those 3 songs.

And of course, just as my Horrors accreditation arrived so did one for the Fear Factory gig over at the Prince Bandroom across the other side of town. Same night. Same times.

Now, if only I could be at two places at once hey?

I decided to do The Horrors.

Arriving at the Corner Hotel an hour before the band was to hit the stage, I was told that there could only be one photographer at a time in the pit. As I was the first there, I was scheduled to go first.

In total, there were 4 photogs present. I hadn’t seen these guys at other shows I have shot so we quickly exchanged pleasantries and planned our strategy for the night.

We were to take turns doing a song each for three songs. Sounded fair.

I went in first and noticed that all the backlights were shining directly into my face and lens. Sigh! It was going to be tough to get a decent shot but I planned to make the best of the lighting and try and get some decent silhouettes happening.

After we all had a turn each within the segmented photo-pit area, security pulled the pin and didn’t allow us in again. That’s how it goes and as unfortunate as that is, one song is still better than no songs.

As for the band, well, I have been a fan from the minute I heard the first album and it is quite evident that these guys are going to be the biggest thing in long, long time. If they can keep it together – I am easily seeing world domination happening. They have this undying aura and quality about them with a uniquely marvellous retro-goth-punk-indie-alt groove.

Just fucking magnificent.
Continue reading ‘The Horrors Live @ The Corner Hotel, Melbourne, Australia’

The Runaways

The Runaways

Floria Sigismondi’s movie based on The Runaways is almost upon us.

There is a teaser trailer available now at the official website as well as the movie poster.

The Runaways (Neon Angels) is based on lead-singer Cherie Currie’s book ‘Neon Angel’ – a reflection of her experiences as a rock star, but also delivering a strong anti-drug warning to teens and others. David Bowie’s “Space Oddity” serves as a metaphor for the narrative– a slow countdown, a surreal but spectacular rise to fame, then alienation and burnout – a long long way from home.

The movie chronicles THE RUNAWAYS from 1975 – 1977; formed by teenage girls living near Hollywood, CA., and heavily manipulated by their manager Kim Fowley as ‘jailbait rock’ (all the girls were 16 or younger when the band recorded their first album). The band ultimately succeeds on their own merits as musicians, becoming the first all-girl rock-band to ever break into the world of arena-filling hard rock acts.

The movie focuses on the band’s formation, and their meteoric rise to fame. Their first single, ‘Cherry Bomb’, gets some attention in the United States, where THE RUNAWAYS’ U.S. tour hits major venues (Cobo Hall, with RUSH) and sleazy rock-clubs, often pairing them up with The Ramones, Cheap Trick, Tom Petty, and other popular 1970’s rock acts. But ‘Cherry Bomb’ and several other songs from THE RUNAWAYS’ first 2 albums become huge hits in Japan — and their arrival for a set of shows there in 1977 is like Beatle-Mania. The band is overwhelmed by the Japanese reception. Almost prophetic, THE RUNAWAYS’ last big hit song in Japan is ‘Neon Angels On The Road To Ruin’.

Cherie is initially thrilled to be in the band, and lives the rock star life. She pushes the edge — and their records sell well, generating lots of media controversy and hype. But during the tour of Japan, her personal life disnintegrates, and she burns out — ultimately leaving The Runaways when they return to the U.S. The bass player (Jackie Fox) quits too, leaving only Lita Ford, Joan Jett and Sandy West. Joan Jett has decided that rock & roll is her life, and that The Runaways is her ‘family’; she is upset by Cherie’s decision to leave, but knows that decision is best — for Cherie.

THE RUNAWAYS’ success was earth-shaking in rock music — changing the rules forever. But with the successful 5-girl lineup no longer intact after the Japan tour, their future was dubious, at best. Lita Ford (guitar) and Sandy West (drums) still think the band can make it big again, so they persevere with Joan Jett.

Continue reading ‘The Runaways’

Finally, Ron Mueck

Ron Mueck National Gallery Of Victoria

I fell in absolute awe and amazement with the work of Ron Mueck several years ago. And that was just from looking at photos of the man’s work online and in magazines. I had never had the opportunity to see his work up close and personal.

And it was with great excitement, anticipation and utter exhilaration when I found out the National Gallery of Victoria would be holding an exhibition of Mueck’s work here in Melbourne. I marked the date on my calendar and then began counting the days down.

What can I tell you? I’m a fan. Unashamed! I just couldn’t wait to finally get to see some of this work live… in the polystyrene flesh, and today, I got my chance.

Truly, it was as incredible as I always imagined.

Genius. Marvellous. Shocking. Disturbing. Moving. Astounding.

More info here and some photos from the exhibition after the jump.

Continue reading ‘Finally, Ron Mueck’

The Clandestine Manifesto

The Clandestine Manifesto

Whilst my live music photography is well documented over at my Visceral Industry website, I felt I needed a vehicle to show off some of my off-stage, everyday photos. Sure my Flickr account serves that purpose well enough, but it doesn’t really show the images with a bit of oomph and size.

So, I have decided to launch The Clandestine Manifesto which will be a home to my daily snaps and my journal throughout the year 2010.

It is very much a work in progress but I do hope you stop on by and check it out sometime.

Black Sabbath ‘Master Of Reality’ Master Tapes For Sale

Black Sabbath 'Master Of Reality' Master Tapes For Sale

An original Black Sabbath ‘Master Of Reality’ master tape set consisting of two Ampex 456 quarter-inch tapes in good condition is being auctioned via eBay. According to a posting on the auction page, “These are the real deal from a Swedish private collection and a rare opportunity to own a piece of music history.”

Black Sabbath’s third album, ‘Master Of Reality’ was released in 1971. The LP’s “darker” or “heavier” sound was a significant influence on the metal sub-genres known as doom metal and stoner rock.

‘Master Of Reality’ was recorded at Island Studios in London, U.K. between February and April 1971. The album was produced by Rodger Bain, who had also helmed the band’s preceding two efforts.

‘Master Of Reality’ was certified double platinum by the RIAA (Recording Industry Association of America) for sales in excess of two million copies in the U.S.

Continue reading ‘Black Sabbath ‘Master Of Reality’ Master Tapes For Sale’

Circa Nocturna 2010

Circa Nocturna 2010

Circa Nocturna 2010 is almost upon us. We’ve covered the last two year’s of this wonderful event and frankly, I for one cannot wait for this year’s gala!

Circa Nocturna brings alternative fashion to the world of high fashion as a participant in the 2010 L’Oreal Melbourne Fashion Festival.

WHERE: Fitzroy Town Hall – Cnr of Napier and Moore St, Fitzroy.
WHEN: Saturday 6th of March 2010
TIME: Doors Open at 7 pm for pre show drinks.

The catwalk show will be followed by Carnival.

Carnival gives attendees the opportunity to meet the amazing designers they have just witnessed strut their stuff on the Circa catwalk. Guests will be able and see the work upclose. Designers will have catalogues, information on wholesale special offers as well as items for sale.

There will be spectacular performers and roaming entertainers and the bar will remain open.

All the info you could possibly need is at the Circa Nocturna website.

See you there!

Continue reading ‘Circa Nocturna 2010′

Chimaira Live @ Billboard, Melbourne, Australia

Chimaira Live @ Billboard, Melbourne, Australia

Tonight was one of the hardest shoots I’ve had to endure.

The allotted three-song limit was quickly cut down to half a song as the frantic security in the photo-pit alongside me – had their hands full within seconds of the band hitting the stage. Seconds!

This was akin to a veritable war-zone! Bodies flying everywhere! Three Doc Martin clad headbangers came flying over crashing into the photogs and security before the band had even hit the bridge of the first song and before I could even get my camera settings correct, a stage diver flew right over me, clipping my lens hood as he came crashing into the crowd behind me. Mayhem folks! Mayhem!

For as empty and sparse as the pit was at the Rotting Christ/Dark Funeral gig a couple of weeks ago, is as full and claustrophobic tonight’s was.

There was absolutely no room to move and with Chimaira in absolutely scintillating form (gosh, they were fucking phenomenal tonight!) and a maniacal, rabid crowd who were more like a pack of starving sharks circling a kill – it proved to be an intensely brutal gig. On stage, off-stage, in the pit… everyone got sucked into the blitzkrieg and were spat out the other end in pure Metal ferocity.

Insane! Just insane as the band were in some sorta serious form tonight. Precision like playing and serving song after song in a sublime first-class performance.

Who the fuck knew these guys were this good?

Not me.

So with all the action on offer, as stated, it was a hard gig to shoot. Kicked out of the pit within 90 seconds, I found a spot on the side of the stage and stayed there for the majority of the band’s amazing set where I tried as best as I could to get some shots!

A classic gig!

Phew!

Continue reading ‘Chimaira Live @ Billboard, Melbourne, Australia’

Banksy: ‘Exit Through The Gift Shop’ Trailer

Sundance director John Cooper says:

Exit Through the Gift Shop is one of those films that comes along once in a great while, a warped hybrid of reality and self -induced fiction while at the same time a totally entertaining experience. The story is so bizarre I began to question if it could even be real… but in the end I didn’t care. I feel bad I won’t be able to shake the filmmaker’s hand and tell him how much I love this film. I think I will shake everyone’s hand that day and hope I hit on Banksy somewhere. I love his work in all forms.

Lemmy The Movie Release

Lemmy The Movie

According to RollingStone.com, ‘Lemmy’, a documentary that follows Motorhead’s frontman Ian ‘Lemmy’ Kilmister on the road and into his home, will premiere at the 2010 South By Southwest (SXSW) festival in Austin, Texas this March.

The film promises fans more access than ever before to Kilmister’s life, and includes interviews with past and present bandmates and such peers/admirers as Slash, Dave Grohl, Metallica, Alice Cooper, Ozzy Osbourne and wrestling superstar Triple H.

Directors/producers Greg Olliver and Wes Orshoski, spent three years with Lemmy to capture the life and history of the legendary rocker, traveling from Kilmister’s Hollywood home to concerts in Scandinavia and Russia.

The film was reportedly shot on a combination of HD video and super 16 mm film.

“Lemmy never ceases to surprise me,” Orshoski told Billboard.com in a 2008 interview. “You think you know who Lemmy is, but you have no idea. If you think you have Lemmy all figured out, trust me. You don’t!”

“Shooting Lemmy is like filming dangerous wildlife. He never does what you expect him to do, and he never does anything you want him to do,” Olliver added. “A lot of the coolest shots are shots we had to wait for four or five shows to go by before we could get them.”

Check out the teaser trailer here.

Rowland S. Howard Footage

In light of the massive traffic this site is gathering due to the unfortunate death of Rowland S. Howard, here is a brief video I took at his final show.

Unfortunately, I wasn’t able to record the complete song and the audio isn’t of the best quality. But for his fans, I hope this serves as a little tribute to this influential musician.

Rowland’s Service and Wake details.

Thursday, 7 January 2010
Everything will be open to the public.

Service starts at 3.00pm
Wake starts at 5.00pm

Service:
The Sacred Heart Mission
87 Grey Street
St Kilda VIC 3182, Australia
(03) 9537 1166

Wake:
St Kilda Bowling Club
66 Fitzroy Street
St Kilda VIC 3182, Australia
(03) 9537 0370

JP Shilo will perform “Sleep”, and the song “Autoluminescent” will be featured. Rowland’s sister, Angela Howard, will read the eulogy written by Angela, Genevieve McGuckin and Harry Howard.

Genevieve hopes to see a queue for Rowland down Grey Street.

Dark Funeral & Rotting Christ Live @ Billboard, Melbourne, Australia

Dark Funeral & Rotting Christ Live @ Billboard, Melbourne, Australia

With the near-encounter with Rotting Christ yesterday in the streets of Melbourne, seriously – what better way to kick off 2010’s gig photography with a nice touch of Black Metal evilness?

I was scheduled to shoot both Rotting Christ and headliners Dark Funeral at Billboard tonight – one of my fave venues to shoot at by the way – for Heavy Metal website and all round cool dudes, Metal Obsession.

Surprisingly, there were no bouncers in the photo-pit tonight and the show was only being shot by two photographers. Myself and someone else, who’s name I didn’t catch unfortunately. We had plenty of room to move in and I used this opportunity to shoot from both sides of the stage. I have a nasty habit of staying in the one spot during a shoot and not fully utilizing my space to get the artist from all sorts of different angles. What can I tell you, I’m a creature of habit.

And so with the lack of security and tons of space to work with, I endeavored to capture Rotting Christ from as many angles as possible. Certainly was great not to be hampered by a three-song limit so I stayed and shot the band for the majority of their impressive set.

As they hail from Greece, where my heritage is from, it was cool hearing the band members talk in Greek amongst themselves between songs and fully understand what was being said! Ha!

I was pleasantly surprised by the band’s energetic, well received and damn good set. I had a misconception about these guys and always felt they were much, much heavier – but they put in a blistering performance and certainly won me over. Really need to check out some of their discography, because on tonight’s showing, they obliterated!

By the time Dark Funeral hit the stage, all decked out in the Black Metal Satanic corpse-paint and the like, I was feeling a little weary. (And it probably shows in my photos of these guys). I have much respect for band’s that go that extra mile on a visual front – it always makes for more interesting photos, but tonight, I just wasn’t feeling it.

They were super-loud and often times, it all got lost in a blitz of speed and volume. I had my back resting against the P.A. system and all I could hear feel, was a blur of rapid sound rattling my rib-cage. (That was kinda fun!)

I shot as much of the band as I could from the side of the photo-pit and called it a night after that.

Continue reading ‘Dark Funeral & Rotting Christ Live @ Billboard, Melbourne, Australia’

Sherlock Holmes

Sherlock Holmes

Sherlock Holmes is Guy Ritchie’s welcome return to form. I loved Snatch (2000), a snappier, funnier, post-modern improvement on his 1998 Lock Stock and Two Smoking Barrels, which he also wrote and directed. As the gangster flicks rolled out (Revolver was ok, RocknRolla pretty terrible) it was presumed Ritchie was a one trick pony.

Although finally free of Madonna’s apron strings, Ritchie has not strayed far from these familiar themes. He has however wisely left the screen play to newcomer Michael Robert Johnson and Anthony Peckham (Don’t Say a Word 2001 and Invictus 2009, the Clint Eastwood directed Nelson Mandela story released this year); who have penned a beautifully original adaptation of Conan Doyle’s well-known characters.

In a cinematic landscape where originality is thin on the ground (especially in crowd-pleasing blockbusters) it is so refreshing to have our hero written as quirky, unassuming and lacking Hollywood hyper-sexuality. Johnson and Peckham have resisted tarring Holmes with the cliché brush and have instead unpacked the literature to make him three dimensional and irresistible.

The irresistibility is no doubt aided by my favourite nearly-crashed-and-burned-in-the-90s born again sex symbol, Robert Downey Jr. The man who began his infamy in April 1996, arrested for possession of heroin, cocaine and an unloaded .357-caliber Magnum handgun, while speeding down Sunset Boulevard (how cool?!), RDJ struggled until 2001 to kick his habits. From there he’s emerged the brooding hero, sneaking back to fame via indie hits A Scanner Darkly (2006) and Zodiac (2007) to last years smouldering Iron Man.

RDJ’s performance is perfectly offbeat. I wish he’d given us a little more but it is, after all, a detective story not the romance it is in my head. Perhaps in the sequel. A lovely complement both aesthetically and in pace is Jude Law, whose absence of sugary pretty-boy cheese makes him likeable for a change. He is instead mildly conflicted, reasonably intelligent and pleasantly tolerable. The pair bounce scrumptious dialogue off each other and Ritchie makes the most of it, revisiting the fantastic rollicking pace that made Snatch the most-watched DVD in my collection. Actually the pace doesn’t really let up – there is barely any sorbet between the courses – but I hardly noticed I was so immersed in the richly drawn world.

Ritchie remains the only director who makes me enjoy watching violence. Gracefully choreographed as in Snatch (the scene where Brad Pitt loses the boxing match is one of my favourites) he this time explores the forethought in slow motion before smacking you with a deliciously satisfying denouement. This is entertainment!

While the world wows at Avatar I was thrilled at the lack of CGI in Sherlock Holmes. The film does contain a fair amount of digital magic but it’s portrayed with restraint, in a tone that matches the film’s setting. The characters believe what is happening and so do we. In fact, Ritchie is a paragon of restraint in his clever use of narrative devices as well – voice over and flash backs both just enough to keep us interested but not so much as to become tiresome or overstated.

Also worth a mention is the music, composed by the ridiculously prolific Hans Zimmer. The instrumentation in particular adds another dimension of enjoyment to the film. It subtly complements the narrative – accordions at the entrance of the French character; discordant clock chimes building suspense as Big Ben looms over the action. Superb.

I loved this film. It’s exactly what I want when I go to the movies to relax. Something that assumes I am intelligent and quick witted, yet still indulges my id. Thinking person’s light entertainment.

When KISS Was Cool – April 7, 1974 at the Michigan Palace, Detroit

When KISS Was Cool - April 7, 1974 at the Michigan Palace in Detroit

It’s hard to get blown away by anything KISS these days, but when some rare photos such as these surface – it reminds one why one became a fan of these guys in the first place!

Here is KISS at their rawest and fledgling best. Shot at the Michican Palace in Detroit in early 1974, these images capture a young, hungry band on the rise!

Sourced from KISSfaq.

Continue reading ‘When KISS Was Cool – April 7, 1974 at the Michigan Palace, Detroit’

The Ministry Movie: Fix

The Ministry Movie: Fix

You know the ole desert island question of what music you’d take along to keep you from going insane (and start having wild sex romps with the ape and primate fraternity of said deserted island) – well I have been answering that question with the following: 1: Black Sabbath and 2: Ministry.

Ministry have long been a fave on this blog from way, way back and it gives me great pleasure to announce news of the forthcoming Ministry movie.

Check it all out below and stay tuned for more Ministry goodness soon!

FIX: The Ministry Movie shoves your ass way, way backstage with the scariest band EVER.

“FUCK THE MAINSTREAM” – might as well have been written by Al Jourgenson, founder of MINISTRY. Love him or hate him, Al, and how he makes music -changed all the rules. Al and all the guys he played with, paid the price and took no prisoners along the way, but they mattered.

No Ministry= No NIN, or Korn, or Jane’s Addiction… if you don’t believe it? Hear it directly from Trent Reznor, Jonathan Davis, Dave Navarro and many more.

Continue reading ‘The Ministry Movie: Fix’



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