Archive for May, 2005

Rollins’ Tour of Duty

Henry Rollins

Punk rock icon Henry Rollins recently appeared on the Australian TV show “Lateline” to discuss his political views. Several excerpts from the interview follow:

On combining writing and acting with spoken-word tours which blend self-deprecating comedy with acidic attacks on the U.S. administration:

“All I’m saying is I’m basically taking out a PSA for America. I’m just saying when you see the U.S. President, it’s a comedy show with lethal consequences, and no, that not all of us voted for him… And I won’t say anything about it for at least four or five more hours.”

On the fact that he sees the criticism of the U.S. Government as part of the American political tradition:

“I love being an American who’s outspoken, who’s critical of the Bush administration and quite honestly, we all know no-one gives a damn what I think, but I love talking loud and saying what I think because I don’t see anyone in the news media doing it. Where’s the backbone of these guys?”

On speaking to U.S. troops on active duty in Iraq and Afghanistan:

“You meet some of these guys and what did they do that week? They helped an Afghan farmer irrigate his land; they put up power lines; they helped build a school so now there’s the first literacy program this village has ever seen — ever. And they’re like, ‘Sir, we’re helping these kids — we’re handing out toothbrushes, we’re teaching them how to floss.’ And like, all the little kids love these guys and you see that these are good young people doing — helping.”

On being listed in the top five USO performers by U.S. military personnel and keeping the political side out of his performances on military bases:

“If you’re a young man in Baghdad and you are literally getting shot at and mortared everyday, you don’t need some guy with tattoos coming in and telling you that the reason you’re there is bogus. You need to hear, ‘You guys are great. Get home in one piece. Everyone misses you, and they basically want to know what it was like working with Al Pacino in ‘Heat’!”

On being asked to sign a bomb in Afghanistan:

“Do I want to sign a bomb? Hell, no. Will my signage of the bomb — will it make the bomb do something else? Will it explode with John Coltrane CDs and free lunch? No. Will it make the bomb go into outer space? No. It’ll go that way, and it’s going to blow up, no matter what I write on the bomb or not write on the bomb. This is something I did not want to do, but I had to make a split decision — do I show this guy out in front of everyone and just go, ‘No thanks’ and have his boys go, ‘Oh, he can be trumped by some, some…’ — I can’t do that.”

John Wayne Gacy Resurfacing

New Criminologist Library Archivist Joshua Brown, is currently working on procuring some absolutely astounding material on the late John Wayne Gacy. Josh’s latest files will include the unedited police video of what has been dubbed “The Summerdale Dig” - which is original footage shot by investigators in late December 1978, of the excavation and recovery of the bodies of the victims of the Chicago-based sexual sadist.

As twenty-nine bodies of young men and boys, all brutally, raped, tortured and eventually slain by the portly building contractor, were unearthed from beneath his garage, a barbecue pit in his back garden, and the crawl-space beneath is ranch-style home in Norwood Park, Des Plaines, the media watched in horror.

The crawl-space, where 27 of the bodies were discovered in shallow graves, some still with a noose around their neck or materials crammed into their throats and rectums, is one of the most frightening personal graveyards, kept by a serial killer, in the annals of criminal history.

Although Gacy would ultimately be charged and convicted of thirty-three murders - the final four victims were dumped, out of necessity as the man’s house was already full to capacity with decomposing corpses, in the Des Plaines river in Illinois - it was the idea of this monster being a pillar of his community, who dressed as a clown to entertain sick children, was active in politics and was a successful businessman, that could not be comprehended. How could someone so outwardly gregarious and even respectable, all the while be systematically eliminating and burying the bodies of violated young men under his house?

Shockwaves ripped not only through this man’s community, but the world at large, as people shook their heads in disbelief, wondering how he could have been killing, so prolifically for so many years, and getting away with it.

Christopher Berry-Dee makes some attempt to unravel the Gacy story in his excellent paper on the case, which will be included with this fascinating criminal case file.

Nine Inch Nails: With Teeth

Nine Inch Nails: With Teeth: Album of the Week

It’s been well documented that a new Nine Inch Nails album only comes around every five years. The wait for new material from Trent Reznor is sometimes quite a challenge for his army of dedicated fans. Nine Inch Nails’ last release was the challenging and often misunderstood masterpiece, 1999’s The Fragile. An adventurous two disc musical extravaganza embelished with layer upon layer of sonic mastery.

So now we find ourselves in 2005 and the latest Nine Inch Nails album, ‘With Teeth’ has been unleashed to a rabid fanbase and a music world curious to see what Reznor has been up to. The expectations are always high when it comes to NIN.

The album opens with the surreal-like ‘All The Love In The World’. Sounding like a Radiohead-cum-Moby tune the song drifts through a haunting piano melody overlapping a somewhat, ‘drum and bass’ beat as a pleading Reznor questions what he can’t have and deeply coveting what he truly wants. The song slowly builds to a melodic climax with multiple layers of harmonizing vocals which rise and rise until the song strips itself back in typical Reznor fashion to the underlying piano melody. Beautiful stuff. At one point, this was my least favourite song on the album but I noticed myself singing the melody in my head to the point where I began to really enjoy the tune.

After such a calm and melodic start, the album kicks on with the ferocious ‘You Know What You Are’. Reznor’s vocals are peppered with venom and spite which brought back memories of ‘The Downward Spiral’ for this listener. In fact, one thing I did notice about this album, is that it captures many elements of albums gone past.

Continuing on with a typical Dave Grohl drum pattern, (Grohl beats the skins on about 80% of the album whilst regular NIN live drummer Jerome Dillon handles the rest), ‘The Collector’ plods along with some trademark Reznor soundscapes and grating guitar embelishments. The piano ivories twinkle throughout the song’s crescendo sounding very Mike Garson-like (of David Bowie fame).

The first single ‘The Hand That Feeds’ grooves with the best of them. This song just gets better and better with each listen. Best served nice and very loud - you’ll soon find yourself singing along to it. And of course, if you’re not happy with the mix, you can have a go at doing your own version of the track courtesy of Mr. Reznor’s Garageband download!

‘With Teeth’ I am convinced will be a huge commercial success for Trent Reznor/Nine Inch Nails. With some very catchy songs such as the magnificent ‘Only’ (which will be the album’s second single and feature a video directed by David Fincher) and the majestic synth/retro sounding ‘Sunspots’ there are just far too many strong and well constructed songs for this album to fail.

There are definetly elements of all of Reznor’s major releases scattered throughout ‘With Teeth’. And that can only be a good thing when NIN’s past works are nothing short of incredible pieces of music. Which is not to say that Reznor is rehashing old ideas, far from it… ‘With Teeth’ is most assuredly an innovative and rewarding 2005 release with plenty of new ideas and a vibrant, fresh approach to the beast that is Nine Inch Nails - a band which for the better part of the last 15 years has been the soundtrack to my life.

Nine Inch Nails: With Teeth