Monthly Archive for November, 2009

Amon Amarth Live @ Billboard, Melbourne, Australia

Amon Amarth Live @ Billboard, Melbourne, Australia

I’ve lost track of the number of gigs I have seen throughout the course of 2009. Trust me, there has been a few. One of the perks of shooting live music is that you get to see the gig for free so with that in mind, one does become a little complacent. It seems, at times, that one gig just rolls into the other and at the end of the day – it can get all rather stale.

Not tonight. Not tonight boys and girls. Amon Amarth were simply fucking phenomenal. For me, this was the gig of the year such was the power and ferocity that these guys utterly impressed and blew me away!

Rocking up to Billboard half an hour before the band was to hit the stage, I was told there weren’t any photo passes left but for me to just relay that info to the bouncers. Great, I was to wade through the gathered throng and make my way to the front of the venue with no pass to speak of. Once I got to the pit I said to the bouncer, “Is it a three song limit tonight?” Before he could even answer, I was in the pit and my minor problem of being without a pass – was solved.

You could certainly feel the electricity in the room tonight. So much so that another bouncer approached me and said, “It looks like it is going to get nuts from the get-go. You’ve got one song and one song only to photograph!”

What?

I felt a little devastated and quickly devised a strategy in my head to try and shoot as much as I could in that one song. I told him I had been promised three and that I would do my best to keep out of his way – but he was to have none of it. He then said I could stand on the side of stage left and shoot away for the rest of the night.

Nice!

In the end, he was correct. There were bodies flying almost immediately and the crowd was matching the frenzy of the most awesome, mind-blowing Power Metal that was pouring off the stage.

In a moment of levity, before the band hit the stage I noticed that one of the band’s roadies was signalling with his torch the top of a doorway. No why would he be doing that? It looked the size of a normal doorway and nothing to concern himself over. And then it hit me, when I saw the size of lead singer Johan Hegg – a throwback to when Northern European men were indeed vikings (!) – it all made sense!

Billboard was just re-splendid tonight! Easy to see why the ole girl is one of my fave venues to shoot in. Tonight, the backline had been moved way back and the stage looked huge. The band had some gorgeous backdrops which just added to the whole Metal feel of it all and the band used the stage like the seasoned pros that they are.

Fuck man, I was simply blown away. You just could not wipe the smile off my face as I was enjoying these guys so much and having a wonderful time shooting them.

Personally, I felt as if I took some of my best shots to date as I totally felt it tonight. In the zone with the camera and riding every bump with the band. Beautifully lit and willingly posing for shots throughout the course of the night.

What a fun night this was. What an amazing live band they truly are!

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Opeth Live @ The Palace, Melbourne, Australia

Opeth Live @ The Palace, Melbourne, Australia

I had never shot at the Palace before so it was to be a night of firsts. I made my way to the front of the stage 20 minutes before Opeth were to kick off their set. I wanted to familiarise myself with the front of the venue and get a feel for the place – as you do. I fired off some test shots as I was going to shoot in TV (Time Value) mode so I needed to see what sort of light was on offer.

With 10 minutes to show time, I made my way into the designated photo-pit and sternly checked my gear again and waited for the band. Several other photogs made their way to the pit. Some new faces tonight and one photog approached me and said “You know, you should smile more often?” She took me by surprise and I responded with “Excuse me?”

“You look so serious!” she said. I laughed out loud and introduced myself.

She said, “You can smile and still be Metal you know. Not even Bloodduster are this serious.”

I guess I must have looked pretty intense, but I always feel a little tense before the band hits the stage. So many thoughts running though my head! Concentrate! Get the shot! Anticipate! Get the shot!

The last time I got to see Opeth live, I was armed with nothing but my iPhone to try and get a photo or two.

Although that gig was only just over a year ago, I wasn’t shooting bands at that point, but I remember thinking to myself just how amazing it would be to get that opportunity.

Here we are 12 months down the track and that opportunity had finally arrived.

The three-song limit had been cut back to two but thankfully, Opeth songs are mostly epic and vast and almost always span for ten minutes at a time. The restricted limit wouldn’t be too bad. I mean, driving to work this morning and listening to Opeth in the car, I only got to hear one track in my usual 15 minute drive.

The stage is pretty high at the Palace so I did find it a little tricky to get some good face shots of lead crooner Mikael Åkerfeldt but apart from that, I completely enjoyed shooting at the Palace.

Opeth, as always, were meticulously brilliant. I did feel they concentrated a little more on their mellower stuff tonight and felt that the gig in September of last year was a better performance. I was clamoring for a rendition of ‘Master’s Apprentices’ but alas, it wasn’t forthcoming.

A big thank you to Leticia and all the gang at Metal As Fuck.

And a nice little mention on the Roadrunner Records site can be seen here.

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Five Star Metal Classics (The Music I Grew Up On)

I started listening to music at a very, very young age.

For some reason or another, I gravitated to the harder rocking stuff and by the time I was 10 years old in the mid to late seventies, I was already a die-hard KISS fan before most people even knew squat about them.

By the late seventies, I adored the Hard Rock stylings from the USA. Having a cousin come to Australia from the US and bringing with him a slab of vinyl and 8-track cartridges(!!!) – just whetted the appetite even more. Van Halen, Ted Nugent, Cheap Trick – I lapped it all up.

At this point in my life, I lived about a block away from an import record store which also had weekly shipments of the finest classic rock albums money could buy. The imports were always more expensive, but the production quality on the vinyl and the covers was so vastly superior to the flimsy and paltry Australian pressings.

Every week, there was something new in the Rock category and as the Eighties approached and my heroes KISS began to falter musically, I began looking for new music to sink my teeth into.

This was an incredible time for Hard Rock and Metal. The NWOBHM (New Wave Of British Heavy Metal) was in full swing, finally sending the pseudo Punks back to the cliche they spawned from. Gone were the Rock dinosaurs and in their place were young upstarts such a Priest, Maiden and Leppard making headway and amazing albums.

These are albums that have stood the test of time. Some thirty years later, I still listen to these records. I still love and enjoy these records and sometimes… just sometimes, I can still see a short, pre-teen brat bashing the shit out his parent’s living room couch with a pair of drumsticks, perfectly drumming along to these tunes. Or, when I was feeling more daring, air-guitaring to these gems in precision like maneuvers.

Def Leppard
Def Leppard – High And Dry
***** 5 Star!
It was back in 1981 and as a bored kid who had a penchant for plastering his walls with posters of KISS – I was looking for some new music to quench the thirst. KISS had been and gone in Australia. Flicking through the radio dial, I stopped at 3RRR when I heard this amazing song. It kinda reminded me of AC/DC – only better. The song was ‘Let It Go’ by a teenage band (at the time!) – called Def Leppard.

I taped the song onto cassette and proceeded to play it to death until I could save up the $6.99 to buy the vinyl.

High ‘N’ Dry is Def Leppard’s finest moment. Forget the teeny bopper pop-metal band they evolved to from 1983 onwards. Not that the music they were churning out during that period wasn’t worthy. It was. But this slab of hard-rocking goodness, is a bonafide classic album. It was the beginning of the Mutt Lange production run for Def Leppard. Lange had literally just finished helming AC/DC’s ‘Back In Black’ album a year earlier and this was his next project.


Iron Maiden
Iron Maiden – Killers
***** 5 Star!
Iron Maiden were making massive headways in the early 80′s. Before Bruce Dickinson joined the band and the band broke it big with the ‘Number of the Beast’ album, Iron Maiden released the seminal ‘Killers’ album in 1981. This was the first album to feature new guitarist Adrian Smith, and the final album to feature vocalist Paul Di’Anno.

This as close to masterful metal as you can get. Produced by Martin Birch (who then went on to produce the band’s next 8 albums – so strong was the bond between band and producer!)

There are no dull moments on this classic and it features the amazing drumming of Clive Burr – one of the finest drummers in the genre who unfortunately, has been stricken by multiple sclerosis of late. Each and every track is meticulously structured and crafted and features some of Maiden’s finest songs. ‘Wrathchild’, ‘Murders In The Rue Morgue’, ‘Killers’. ‘The Ides Of March’ etc etc. Brilliant!


Judas Priest
Judas Priest – British Steel
***** 5 Star!
Looking back, Judas Priest’s ‘British Steel’ was probably the first true Metal album I ever bought.

And back in the day, this was as heavy as it got!

I distinctly remember holding this sucker in my hands and just marveling at the sinister cover. It just screamed power and metal and so perfectly matched the music on offer. This was an album that defined the Metal sound as we know it today.

Even back in the day, in my formative years – this album just stood out and was so distinctly different from the hard rock stuff I had in my collection. This was Metal. Pure and simple.


Black Sabbath
Black Sabbath = Heaven & Hell
***** 5 Star!
Ozzy was gone and it was going to take a monumental effort for Sabbath to rid themselves of the dinosaur tag and, for want of a better term, rise from the ashes.

Let’s face it. The last few Ozzy led Sabbath albums were a disaster and slowly, the band was sinking.

Enter the diminutive Ronnie James Dio.

Result?

One of the genre’s all-time superb classics.

How could a band as legendary as Black Sabbath get even better? Surely it just couldn’t be possible? But it was possible. Grandly so.

Man Discovers Charles Manson Is His Real Dad

Man Discovers Charles Manson Is His Real Dad

Like many adopted children, Matthew Roberts set about finding his biological parents with a mix of nerves and excitement. In particular, he hoped that discovering his father’s identity would help him to work out what made him the man he had become. But nothing could have prepared him for being told his dad was… serial killer CHARLES MANSON.

Over a five-week period in the summer of 1969, Manson and his Family of commune followers committed a series of nine gruesome murders. Victims included pregnant actress Sharon Tate, wife of film director Roman Polanski. Matthew, 41 – who bears a haunting resemblance to his father – sank into depression after discovering his identity. He has since been in contact with his dad in a series of letters to his California prison and Manson has replied – each time chillingly signing off with a swastika.

More here.

Concept Art Offers Peek at Tim Burton’s Twisted Mind

Concept Art Offers Peek at Tim Burton’s Twisted Mind
Recently released images from Tim Burton’s upcoming Alice in Wonderland adaptation reminded moviegoers that the quirky London-based director possesses one of the most extravagant visual vocabularies of any filmmaker now working.

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The Devin Townsend Project: Addicted

Devin Townsend: Addicted

When he is not crushing your skull with the pure brutal poundage that is Strapping Young Lad, Devin has the ability to take it to a whole new overtly melodic dimension.

Trust Devin Townsend to permeate the sinews of my brain and dump all sorts of melody, harmony, infectious grooves, and polyphonic tunefulness in the form of his new (and fooking brilliant) album ‘Addicted’. And he has stayed ensconced in my head – refusing to leave but never, never overstaying his welcome. When all is said and done, I’m happy to have him there ‘cos ladies and gentlemen, boys and girls – this new album is phenomenal!

The man knows ‘song’. He knows how to construct a tune that will remain with you long after the iPod’s hard-drive has stopped spinning.

Earlier this year, he released the fabulous ‘Ki’ album. (Played that one to death!) ‘Addicted’ is two of a four part series of albums and so far, the poppier of the two with ‘Ki’ being a more “tense, quiet” affair.

Said Townsend, “With ‘Ki’, I kind of strode out in uncharted territories for myself musically, and loved the experience. But during the course of writing this four-record project, it was inevitable that I would end up writing a selection of tunes that were very much in line with my back catalogue”.

Each of these four albums will feature a different theme and band.

‘Addicted’ features the amazing vocal stylings of former Gathering singer Anneke van Giersbergen. Having been a huge Gathering fan over the course of the past decade, I was pleased as punch to see and hear this collaboration. Anneke’s hauntingly beautiful vocals just marry so well with Townsend’s hooks and guitar accents. Perfect. Just perfect. Check out the track ‘Hyperdrive!’ and you’ll see what I mean.

She sounds amazing on this record cutting through the layers and layers of sounds that Townsend is want to include on all his records (see the YouTube clip below for a sneak peek into the Pro-Tools work that went on during the making of this record!)

There is not a single weak moment on this record. And seriously, I need to stop writing this review so I can go and listen to this sucker again! I haven’t stopped playing it since I got it, and frankly, I can’t see myself not playing it for a long, long while.

Fucking phenomenal!

Devin Townsend: Addicted

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HIM New Album Due: ‘Screamworks: Love In Theory and Practice’

Screamworks: Love In Theory and Practice

U.K.’s Metal Hammer magazine has posted a track-by-track review of the forthcoming album from Finnish “love” metallers HIM, entitled “Screamworks: Love In Theory And Practice”. Read it at this location.

“Screamworks: Love In Theory And Practice” was recorded at a Los Angeles studio with producer Matt Squire (TAKING BACK SUNDAY, THE USED, PANIC AT THE DISCO, BOYS LIKE GIRLS, THRICE).

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Exorcist Remake?

Exorcist Remake?
William Peter Blatty, author of the original Exorcist novel and subsequent Oscar winning screenplay, has revealed that the big boss of the 1973 movie, William Friedkin, has agreed to direct a new version.

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Patricia Piccinini: Unforced Intimacies

Patricia Piccinini: Unforced Intimacies

Very rarely do I ever go to an art exhibit and am left positively speechless.

I felt a sense of uncomfortable disbelief at the sheer realism on offer.

Seeing a (sculpture) of a little girl with a kangaroo on her back was slightly disturbing.

Disturbing because in her lifeless sculpted form, she looked so very much alive.

I concentrated hard to see if she was actually – breathing.

Astounding. Confronting. Magical.

104 Exhibition Street. Level 4.

It is a free exhibit and you have until next week (Nov 21) to witness it for yourself.

There are no excuses.

Make time.

Go!

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The Joan Jett Barbie

The Joan Jett Barbie

Just in time for the upcoming Runaways biopic—directed by Floria Sigismondi and starring Kristen Stewart and Dakota Fanning—the Mattel toy company is unveiling its “Ladies of the ‘80s” collection’s Joan Jett Barbie. The collection also features Debbie Harry and Cyndi Lauper dolls, available in December.

Although I wholeheartedly approve of this, the first thing that came to mind was: What, no Annie Lennox or Siouxsie Sioux dolls? No Pat Benatar? No Lydia Lunch? Give ‘em time; the nostalgia machine will eventually crank ‘em all out.

(via)

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