Monthly Archive for April, 2010

Exit Through The Gift Shop – A Film By Banksy

Exit Through The Gift Shop - A Film By Banksy

Gosh, lotta Banksy press of late throughout Melbourne. What with city councillors inadvertently painting over a Banksy rat in Hosier Lane… oh the horror! Those greedy fucks are lamenting a lost financial windfall.

So the Melbourne media has been going ga-ga over Banksy works scattered throughout our fine city. So much so, I received an email from one publication asking for a brief interview with me over the article I wrote for Desktop… now who died and made me the Banksy expert?

Nonetheless, I politely declined.

Having said that, whilst the City Of Melbourne gets its collective knickers in knot, here’s some real Banksy info…

Exit Through The Gift Shop is finally getting an Australian release…

The ultra-offical blurb reads something like this:

As a personal introduction, Banksy’s penned a letter for the world premiere of his debut feature film at Sundance went a little something like this….. “Ladies and gentlemen, and publicists: Trying to make a movie which truly conveys the raw thrill and expressive power of art is very difficult. So we haven’t bothered. Instead, this is simply an everyday tale of life, longing, and mindless vandalism. Everything you are about to see is true, especially the bit where we all lie. Thanks for coming, please don’t give away the ending on Twitter. And please, don’t try copying any of this stuff at home, wait until you get to work.”

And so it goes that the artist, political commentator and social prankster known as Banksy makes his foray into cinema by doing exactly what he does best, warping reality into something much more fun! In this, ‘the world’s first street art disaster movie’, Banksy becomes the prize catch of Thierry Guetta, a French shop-keep turned videographer who becomes obsessed with finding and filming the elusive painter. Also featuring the likes of Shephard Fairey (Obey), Space Invader and a slew of street art luminaries, Exit Through the Gift Shop totally delivers – a funny, raucous (and cautionary) tale on art, ambition and the cult of celebrity.

Despite the city’s unconditional cultural embrace of street art, Banksy’s work has had a somewhat chequered past in Melbourne – with his ‘Little Diver’ being maliciously vandalised, then quietly resurrected again as a replica at an unknown date in April 2010. Most recently, Banksy’s infamous ‘parachuting rat’ in Hosier Lane was accidentally rubbed out by a graffiti clean-up crew. Again, replicas are beginning to spring up all over the city. As of Wednesday 28th April, the Lord Mayor Robert Doyle has extended an open invitation for Banksy to return to Melbourne and has also floated the option of commissioning a new work.

Exit Through the Gift Shop has premiered in both Sundance and Berlin film festivals and has opened to acclaim in the U.K. and the U.S.
Exit Through the Gift Shop is on limited release in cinemas across Australia from June 3.

  • Melbourne – June 3– 18 – ACMI Federation Square / 03 8663 2583 / acmi.net.au
  • Sydney – June 2–14 – Sydney Film Festival / 02 9690 5390 / sff.org.au
  • Brisbane – June 4–14 – Tribal Theatre, George Street / 07 3211 5880 / tribaltheatre.com.au
  • Adelaide – June 4–14 – Mercury Cinema / 08 8410 1934 / mercurycinema.org.au
  • Perth – June 10-23 – Luna Leederville / 08 9444 4056 / lunapalace.com.au
  • Canberra – June 11-14 – National Gallery of Australia / 02 6240 6411 / nga.gov.au

Continue reading ‘Exit Through The Gift Shop – A Film By Banksy’

Paul Dianno ’30th Anniversary of Iron Maiden’ Australian Tour

Paul Dianno 30th Anniversary of Iron Maiden Tour

Whilst there can be no doubt that Iron Maiden recorded a couple of classic albums with Bruce Dickinson, for this punter, the absolute best music Iron Maiden ever spawned – lie in the grooves of the first two albums. The self-titled masterpiece ‘Iron Maiden’ and the equally amazing ‘Killers’ – have both stood the test of time and clearly illustrated a band at its absolute best.

The Paul Dianno led Iron Maiden spawned, influenced and defined the Metal genre.

Hardline Media is proud to announce the “Paul Dianno 30th Anniversary of Iron Maiden Tour”. This is a very special tour, marking the 30th Anniversary of the debut self titled Iron Maiden LP. For the first and only time in history, you will hear every song from the debut Iron Maiden LP played live, along with multiple tracks from Killers, Iron Maiden’s legendary second album. Some of the songs from the first LP have not been played live for nearly 30 years, so this is a very special occasion for Australian fans, as this occasion looks set to only happen here in Oz.

Iron Maiden’s debut album shot the band to stardom to become one of the most influential bands in history, with the bands total sales well over 100 million. Paul Dianno was an integral part of the band, singing on their first two albums, ‘Iron Maiden’ and ‘Killers’. Tickets look set to sell fast so get in quick, and there will be special “V.I.P.” packages available for the die hard fans. These packages will get you entry to the show, a merch bag, tour poster and a meet and greet with the Beast himself, Paul Dianno. Please contact Hardline Media at hardlinem@yahoo.com for more info on these packages.

PAUL DIANNO 30TH ANNIVERSARY OF IRON MAIDEN TOUR

  • Thu 17 June – Bar On The Hill – Newcastle
  • Fri 18 June – Waves – Wollongong
  • Sat 19 June – Gaelic Theatre – Sydney
  • Sun 20 June – ANU – Canberra
  • Thu 24 June – The Espy Gershwin Room – Melbourne
  • Fri 25 June – Republic Bar – Hobart
  • Sat 26 June – Fowlers Live – Adelaide
  • Sun 27 June – Amplifier – Perth
  • Tue 29 June – Rosies – Brisbane
  • Thu 1 July – Al’s Bar – Christchurch – New Zealand
  • Fri 2 July – Bodega’s – Wellington – New Zealand
  • Sat 3 July – Transmission Room – Auckland – New Zealand

Supports to be announced and more info available below:

www.myspace.com/hardlinemedia
www.pauldianno.com

Can’t wait for this one and I will be fortunate enough to be photographing the Melbourne show. See you there!

New media at right angles to cultural Zeitgeist

New media at right angles to cultural Zeitgeist
Every Thursday an email newsletter drops into the inboxes of 19,000 young Melburnians, providing them with a set list for the perfect hip weekend ahead – gigs to go to, films to see, books to read, food to eat and, most likely, what to wear at every turn.

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Blogging For Desktop Magazine

Desktop Magazine

When I’m not blogging about blood, death, mayhem, Satan and other hardcore stylings and niceties that go bump in the night, you can check out some of my other bits and pieces over at Desktop magazine’s website.

My stuff is here.

Check it out!

Hitler Spoof Gets The Axe

Hitler Spoof Gets The Axe.

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Type O Negative’s Peter Steele Dead (Again!)

Type O Negative's Peter Steele Dead

Type O Negative singer/frontman Peter Steele has been confirmed dead at the age of 48. The legendary frontman Peter Steele is rumored to have passed away due to heart failure. His passing was first reported by metal blogger Mistress Juliya on Twitter. The cause of death was apparently confirmed by Kenny Hickey, bassist for the band Peter Steele fronted – Type O Negative

He passed of heart failure today. Just spoke to Kenny.”

“Today is a very sad day in metal. End of an era. Peter Steele passed today. I loved my friend…our idol…my heart is with his band and family…

Peter Steele was previously rumored to have died in 2005, when an image of a tombstone was posted to the group’s website bearing his name. The announcement turned out to be a hoax. Peter Steele had recently been thought to have overcome his long-standing cocaine and alcohol dependencies.

Peter Steele was born in 1962 and released seven studio albums with TYPE O NEGATIVE between 1991 and 2007.

More at Blabbermouth

Job For A Cowboy, Behemoth, Goatwhore Live @ Billboard, Melbourne, Australia

Job For A Cowboy, Behemoth, Goatwhore Live @ Billboard, Melbourne, Australia

It’s always refreshing going to a gig cold, not really expecting too much and then subsequently leaving totally and utterly blown away! Tonight’s Billboard Metalfest featured local act The Amenta opening the gates of hell for Goatwhore, Behemoth and Job For A Cowboy. A veritable feast of Metal goodness that had the Melbourne throng in pure Metal overload!

Having said that, I thought Goatwhore were one out of the box and completely obliterated all in their path.

I wasn’t feeling the best today so an assignment to photograph these bands was going to be quite a challenge. Apologies to my editor, but I didn’t get to shoot Job For A Cowboy tonight as the long day finally took its toll on me but I did manage to shoot the aforementioned Goatwhore – who practically tore a hole in the Billboard stage such was their ferocity and attack of the Melbourne audience. They were good! Real good and an absolute pleasure to shoot.

When I was in the pit and shooting them from dead center, I did cop a boot to the back of the head from a flying punter which rattled me momentarily and once the bodies started fliyng over, the security got us the hell out of dodge so in effect, I only had two songs to work with tonight.

Just before Behemoth was to hit the stage, there were quite a few photogs and security in the pit. Hardly any room to move in and I noticed one of the security guards signal to the others in hand gestures, ‘photos one song only’. Great. It is pretty hard to capture anything decent with such a small amount of time, but thankfully, we ended up getting our three songs.

The fans seemed to lap everything up that Behemoth had to offer but in all honesty, they just didn’t do it for me. Maybe its ‘cos prior act Goatwhore put in such a stunning set that anything following them, would have to be of a pretty freaking high standard. Still, it was fun shooting them – I do like photographing the visual acts and visual is exactly what they were.

As stated, I was in no condition to stick around for Job For A Cowboy so I unfortunately missed out on that opportunity.

Continue reading ‘Job For A Cowboy, Behemoth, Goatwhore Live @ Billboard, Melbourne, Australia’

Three Songs, No Flash

Three Songs, No Flash

I am happy to report that I will be partaking in my first ever gallery exhibition of my live music photography later in the year.

The show is called ‘Three Songs, No Flash’ – the perennial catch cry each and every time you apply for media accreditation at each and every gig.

It is in the development stages as we speak and there will be more info posted periodically over at the show’s website.

If you are interested in sponsoring this event – and subsequently getting your logo plastered all over my advertising collateral, drop me a line.

Dogmatic Turns Seven

Dogmatic Birthday

Happy to say that today is this blog’s 7th anniversary. Indeed, time does fly and I remember it as if it were merely yesterday. Blogs seem a little passe these days as people get caught up in Twitter and Facebook but we’re still here.

Anyway, thanks to all who visit and comment and hopefully, we’ll survive another year.

Enjoy!

Until The Light Takes Us

Until The Light Takes Us

The Norwegian Black Metal scene has always been one of pure fascination and one surrounded in a veil of intrigue, violence, savagery and murder.

Marry all that with a sound that is so raw, malevolent, and brutal in its structure, timbre and delivery and you have a movement that was destined to remain ostensibly underground yet always, controversial.

Directed by Aaron Aites and Audrey Ewell Until The Light Takes Us is as raw, lo-fi and underproduced as the musical genre itself. The film features interviews with the key perpetrators of the Norwegian Black Metal scene, Darkthrone’s Gylve Nagell and the imprisoned Varg Vikernes, incarcerated over the murder of a fellow bandmate.

It isn’t a new story. The Norwegian scene had been covered extensively in the 1998 book Lords Of Chaos: The Bloody Rise of the Satanic Metal Underground where this bastard genre spawned from the tail end of the Thrash Metal movement of the early 80′s.

The entire Norwegian scene gained notoriety moreso from the church burnings, Satanic vandalism and murder than from the deliberately awful musical stylings. Let’s face it, as musicians the entire scene was pretty naff, but as arsonists, now that’s where these temper-tantrum tough guys excelled at.

The film explores a grim world of art, music, arson, murder, religious and cultural rebellion. The streets of Oslo are permeated with every modern American gaudy icon you can imagine from McDonalds to Levis. And centuries ago, another invasion stripped the nation of its Nordic culture and history as Christianity’s stranglehold took hold and has yet to let go.

It’s a fascinating insight into the genre and director’s Aites and Ewell pretty much let the protagonists of the movement relay their views throughout the course of the film without any sort of rebuttal or counter argument. And it works.

Screening at ACMI
Friday April 2 9.30pm
Friday April 9 9.30pm



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